British actor Christopher Lee is no more, but the nocturnal Transylvanian character he immortalised in Hammer Films’ Dracula series is very much alive and baring fangs at the discerning viewers. For centuries, folklores of blood-drinking vampires and other supernatural characters were tales of enduring fascination, dark passion, belief and fear.
For most people, the name Transylvania conjures up haunted castles and vampires; and maintain some understanding about the characteristics of a vampire: that the vampire’s power ceases at the coming of the day; that they feed on human blood and their bite could transform the victim into a new vampire, that the objects for protection against them is a Christian cross, garlic, running water, etc.
Such tales of uncanny, having echoed throughout Europe down centuries, may have now died down, their existence judged improbable in the modern view. Yet, what is the truth behind the legends of the undead? Are they alive and immortal only as products of fertile imaginations, dreams and fantasies? Anyhow, potential immortality is considered a salient feature of the vampire.
The evil title character of the gothic horror novel, “Dracula” (published in June 1897) written by Irish writer Bram (Abraham) Stoker (Nov 8, 1847 – Apr 20, 1912) has been linked to Vlad Ţepeş (Vlad Tsepesh/Vlad Dracul/Vlad the Impaler, 1431 – 1476) (1), a flesh-and-blood prince who launched the Romanian resistance against Ottoman expansion in the 15th century.
Of the qualities attributed to Prince Vlad are his practice of impaling enemies on stakes in that age of brutality; his heroism in defending his country against the Ottoman invasion, but nowhere there is evidence proving him as a vampire.
The review that would follow this frontrunner post is just my humble tribute to a movie from the very-British Hammer Films, a trailblazer for the genres of horror and suspense during the 1950s and ’60s.
Most of the films of Hammer had triggered the adrenalin of millions of audiences across the world with their quality entertainment primarily produced at a splendid private residence called Down Place, in Bray, Berkshire, England where, it is claimed, there existed a resident ghost known as “The Blue Lady”. Charming!
Hammer had all the ingredients in place to reincarnate the monster of Frankenstein, Count Dracula, Baron Meinster, Countess Dracula …. – mostly 85-minutes spine-chilling storylines of hauntings, spirits, exorcisms, poltergeists, banshees, consistent with the rules of folklore and legends, oral or written, prolific to Ireland, Scotland, Eastern Europe, India, etc.
However true they are, I do not have any personal experiences to believe or disbelieve those beyond the grave incarnations. But while watching a Hammer horror movie, when I see a door open without a human hand on the knob, or hear the light or heavy sound of footsteps in the corridor when no one is supposed to be there, or see the face of someone who had been buried the other day calling through the open window in the dead of the night, I guess I like to have a sense of fearlessness. One thing is certain, I doubt I would ever want to run into any one of those undead creatures, especially Count Dracula, “the most evil and terrible creature who ever set his seal on civilisation.”
(Review in my next post) Jo
- For more on the origins of Vlad Ţepeş: Dracula, Prince of Many Faces: His Life and His Times by Radu R. Florescu & Raymond T. McNally
- Books, DVD/Blu-ray of the books/movies referred to in this article are available with amazon.com, amazon.co.uk and other leading dealers.
- DVD sleeves credits: Wikipedia, amazon.co.uk, and from my private collection.
- This illustrated article is an affectionate nosegay to Hammer Films. Please refer to “About” of my webpage for more details.
(©Joseph Sébastine/Manningtree Archive)