Manningtree Archive has its own story – of memories one has of the past which reflect in the private collection its title implies – a non-profit library stacked with books, movies and music. Looking at it in the right way one can see that this collection is like an ever-growing garden, no doubt. Here below is a promo write-up presenting one of the movies in our collection.
Anne of the Thousand Days
(1969, Panavision-Technicolor, Hal Wallis Production/Universal Pictures)
Produced by veteran producer Hal B. Wallis (Becket, True Grit, Casablanca, Little Caesar) and directed by Charles Jarrott, this engrossing costumer with authentic sets explores the life and times of King Henry VIII. and his pursuit and conquest of the beautiful Anne Boleyn that changed the course of English history.
Adapted by Richard Sokolove from the play by Maxwell Anderson, the events, though in-accurate, are set in one of the great eras of English history – and include the tragic day of Tuesday, 19th of May 1536 when hapless Anne was beheaded by the black-masked French executioner’s sword on Tower Green in the Tower of London. She is a prisoner of history and the facts of that history are now widely known.
Hal Wallis, a giant in the film industry, was always deeply interested in English history. In 1964, his stunning historical spectacle Becket was released – superbly acted by the million-dollar piece of talents Richard Burton (as Archbishop of Canterbury Thomas à Becket) and Peter O’Toole (as King Henry II.) and helmed by director Peter Glenville. Becket was a moneyspinner. According to Wallis, it was during the filming of Becket when Burton showed his interest in filming Anne of the Thousand Days and wanted Wallis to buy the play for him. At length, this was duly done surpassing incidental issues regarding the play’s rights.
In a role originally offered to Buenos Aires-born actress Olivia Hussey (Romeo and Juliet, 1968), the young French-Canadian actress Geneviève Bujold shines as Anne Boleyn, the winsome young Maid of Honour who danced into Henry VIII’s line of vision and eventually became the second of his succession of wives, fostered by Cardinal Thomas Wolsey.
Hailing from Montreal, Quebec, Canada, the convent-educated Bujold had appeared in Montreal’s theatre productions and in films such as director René Bonniére’s Amanita Pestilens (1962), La Fleur de l’Age ou les Adolescentes/Adolescents (1964), before she was chosen in Europe by French director Alain Resnais to play in La Guerre est finie/ The War Is Over (1966) opposite Yves Montand and Ingrid Thulin. This was followed by Le Roi de Coeur/King of Hearts (1966) and Le Voleur/The Thief of Paris (1967). However, her only successful performance during that time came in the title role of Isabel (1968) – written, produced and directed by her then husband Paul Almond. In their 28th September 1970 cover story on Bujold, Time magazine called Isabel a success d’estime.
Hal Wallis who screened movies in his private screening room at home in search of new talents was impressed by the sensitivity, warmth and youthful maturity of Bujold’s performance in Isabel for which she won the Canadian Film Award for Best Performance by a Lead Actress. He has now found his Anne Boleyn and words were pledged to Bujold.
Richard Burton who held approval rights over his co-star, also found her acceptable. Burton’s position garnered all respect. Bujold reminded him of “the late and lamented Vivien Leigh.” Burton insisted that Bujold, whom he nicknamed “Gin”, must be given ‘star’ treatment as he did himself. This didn’t digest well with wife Elizabeth Taylor who haunted the set to keep an eye on them.
Producer Elliott Kastner (Where Eagles Dare, 1968) had earlier sought Liz Taylor to do a film at the same time as Richard Burton did Anne of the Thousand Days. During the early pre-production stages a problem arose – a sense of onrushing doom for the movie. Indeed, it was the role of ravishing Anne Boleyn which Liz wanted to play.
Hal Wallis took Liz’s request with gloomy silence of disapproval. She has past her prime to play the beautiful and coquettish young Anne. According to Wallis, Burton who was there chipped in and skilfully let the steam off: “Sorry, luv. You’re too long in the tooth.”
References to Anne’s appearance from all that I have read indicate that, besides her tall stature and classical oval shaped face with a deceptively prim mouth, the other notable feature of this refreshingly witty conversationalist was her expressive dark eyes and a wealth of black hair.
When the film was released, Bujold’s success in the role of Anne was so pronounced that it earned her the Golden Globe for Best Performance by an Actress in a Motion Picture – Drama, turning her into an overnight sensation in Hollywood. Some critics hailed her as the new Hepburn.
With many royal roles gracing his acting career, playing royalty was nothing new to Richard Burton. Seeking a powerful screen performance, Burton donned the part of Tudor King Henry VIII. (Reign: 1509-1547) – that finest dressed sovereign with a beard of gold, gigantic appetites and a will of iron who desperately desired to swiftly divorce Katherine of Aragon, his queen of nearly 2 ½ decades, to hastily wed the dazzling Anne Boleyn although her elder sister Mary Boleyn’s improper familiarities with Henry VIII. were hardly a secret in a close court where it is hard to keep secrets.
With this role, Burton entered the realm of actors who has portrayed the controversial Tudor monarch marvellously interpreted previously by Charles Laughton in the sweeping biographical movie, The Private Life of Henry VIII. (1933, D: Alexander Korda).
Greek actress Irene Papas is the richly apparelled, Queen Katherine of Aragon, daughter of King Ferdinand II of Aragon and Queen Isabella of Castile who proffered royal support to Christopher Columbus in his expeditions. Papas came across perfectly as a queen lovely in person and in mind – truly gentle and feminine in her manners as Katherine of Aragon is reputed for.
The Toronto-born Shakespearean actor John Colicos as the villainous Thomas Cromwell and one of Britain’s most brilliant character actors Michael Hordern as Anne’s father Sir Thomas Boleyn; give noteworthy performances in their pivotal roles.
Apparelled all in red is Anthony Quayle as the skilled diplomat Cardinal Thomas Wolsey. During his earlier stage career, Quayle had tackled the title role in director Tyrone Guthrie’s theatre production of Henry VIII at Stratford-on-Avon. In that fine performance, Quayle’s Henry, with short red hair, was a very political king, strong and vigorous with a lust for life. Soon after watching the play in 1950, His Majesty King George VI. (r.1936-1952), who was with Queen Elizabeth, had gone to the dressing-room and congratulated Quayle on his splendid performance. Adding to Quayle’s favourite part of his growing resume, this portrayal as Cardinal Wolsey in Anne of the Thousand Days won him the nomination for the Best Performance by an Actor in a Supporting Role category in the 42nd Academy Awards 1970.
Others in the supporting roles are:
Joseph O’Conor (Bishop John Fisher),
Peter Jeffrey (Thomas Howard, 3rd Duke of Norfolk),
director Jarrott’s then wife Katharine Blake (Elizabeth Boleyn),
Valerie Gearon (Mary Boleyn),
William Squire (Sir Thomas More),
Terence Wilton (Lord Henry Algernon Percy, heir to the Earl of Northumberland who offered Anne Boleyn his hand and heart);
Lesley Paterson (Jane Seymour);
Nicola Pagett (Princess Mary);
Amanda Jane Smythe (Baby Elizabeth), et al et al.
At the insistence of Richard Burton, Liz made a surprise (un-credited) appearance in a bit role as a masked lady with low-cut gown in a scene featuring Katherine of Aragon being interrupted while praying in Greenwich Chapel. A report indicates that Liz Taylor purportedly received pay of $35 for the afternoon’s work. Un-credited bit roles feature Liz’s daughter, Liza Todd and Burton’s daughter, Kate.
Bridget Boland and John Hale (Screenplay);
Georges Delerue (Music Composer);
Arthur Ibbetson B.S.C. (Cinematography);
Maurice Carter (Production Design);
Lionel Couch (Art Direction);
Margaret Furse (Costume Design);
Mary Skeaping (Choreography);
Richard Marden (Editor) and others.
Made at Penshurst Place, Hever Castle (Kent) and Shepperton Studios outside London, the film, sprouting from a script of 144 pages long, brims with excitement, pageantry and scenery reflecting the Tudor love of music, dancing, gardens and flowers. At that juncture when the filming was being completed, the whole world was abuzz over the landing of astronauts Neil Armstrong and Edwin “Buzz” Aldrin on the moon on 20th July 1969.
Anne of the Thousand Days was released three months early and qualified for ten Academy Award nominations. Margaret Furse (Becket, The Lion in Winter) was the winner of Oscar for Best Costume Design. Her richly superb costumes were patterned after the famous portraits by German painter Hans Holbein the Younger whilst the period costumes and footwear were prepared by London firms: Bermans and Frederick Freed, respectively. The other Golden Globe awards honouring the film came for the categories: Best Motion Picture – Drama; Best Director; Best Screenplay.
Anne of the Thousand Days was selected by Her Majesty Queen Elizabeth II for the Royal Film Performance and shown at the Odeon Leicester Square, London on 01 February 1970. Prominent among the dignitaries presented to Her Majesty on that unique Annual event for charity was the film’s producer Hal B. Wallis, wife/actress Martha Hyer and Geneviève Bujold clad in a long white gown with a white cape worn over it and escorted by director/husband Paul Almond. A well-made movie – it’s our turn to have a good time. Jo
- Some delightful remembrance of King Henry VIII in our collection: The Sword and the Rose (1953, James Robertson Justice), A Man for All Seasons (1966, Robert Shaw); Henry VIII and His Six Wives (1972, Keith Michell), The Prince and the Pauper/Crossed Swords (1977, Charlton Heston); Henry VIII (2003 TV series, Ray Winstone); The Other Boleyn Girl (2008, Eric Bana).
- DVD/Blu-ray of the movies referred to in this article are available with leading dealers.
- Image source: Wikipedia, amazon, Pinterest, and from my private collection.
- This illustrated article is an affectionate nosegay to the movie reviewed above. Please refer to “About” of my webpage for more details.
(© Joseph Sébastine/Manningtree Archive)
Thank you for sharing
Thank you for your comments, Luisa
Jo – this is an extraordinary post that gives background, insights and little known information on how Anne of the Thousand Days came together. By the way, we Canadians are very proud Genevieve Bujold. I look forward to your posts – they are full of so many exciting details. I will be coming back for a second read!
Yes, a distinguished Canadian she is. In fact, Rebecca, I was thinking about you when I wrote about Bujold.
I enjoyed the background information about “Anne of the Thousand Days.” I remember watching it not long after it came out, and I was captivated by Bujold’s performance, as well as the story.
Thank you, Liz. Glad you enjoyed the movie and my write up.
Ah, Jo, lovely post with so much information on this film! I couldn’t help but chuckle imagining Liz ‘haunting’ the set!!!! 🙂
Thank you, Marina. My research did bring in good amount of information on the making of this movie which I didn’t include in the body of this write up due to space constraints.
I’ve heard of that movie, but haven’t seen it yet. After reading this fascinating background account of how it was made, I’m going to have to make sure I see it. I’m guessing I can rent it or find it online?
Great. I hope you will get a good copy of the movie to enjoy the beautiful colour scheme of the cinematography by Arthur Ibbetson who also did such work for A Countess from Hong Kong, Where Eagles Dare, etc.
Jo, I adore this movie; so many great actors; so much history – even if slightly skewed…
Jo, I have always been extremely interested in the Tudor times and am fascinated by that whole period of history. To set such a vibrant era to film must have been a daunting task; yet the end result was a feast for the history buff and movie connoisseur alike.
Yet another banquet of information, images and passion, for which I say – Thank You Jo…
Carolyn, Thanks for the comments. I first got interested in Tudor history when I visited El Escorial outside Madrid in Spain. Philip II of Spain was buried in its crypt while the final resting place of his wife Mary Tudor, daughter of Henry VIII and Katherine of Aragon, is at Westminster Abbey in London. It’s all fascinating history.
I’m a few days late, however, my Dear Jo; Happy Belated Returns for the 18th.
I do hope you enjoyed your day, and benefited with lots of attention and a gift or two or three!
Thank you, Carolyn. It was a nice day – so far, the oldest I have ever been. Some good friends came over. As usual, they were here to have their cake and eat it too!!! 😀 I was wished Many Many Happy Returns of the Day – that’s hopefully just another 365 days around the sun. Once again, thank you for the wishes. Jo xoxox
Ha Hah – Jo, your sense of humour is delightful. 😂
So glad you enjoyed the day. And I agree:
Many Many Many More!
Thank you 😊
Tremendous craft then, and now, and close enough to history to give the picture. I love your graphical choices.
Thank you so much, Marilee 😊
Wow! This is a wonderful article on a film I watched many years ago, but I didn’t realise it was so long ago in 1969. I was still in school then! I do remember going to the cinema in 1968 on a school outing to see Romeo and Juliet. I thought Olivia Hussey was amazing in this film. I think Leonard Whiting played Romeo. I’m surprised she turned down the part to play Anne Boleyn, but I have to say that Genevieve Bujold played the part brilliantly, it so suited her. Thank you Jo for an informative, comprehensive, very interesting post, as always, which I read avidly. Very well illustrated too.
Many thanks, Izzy
As usually a great, thorough review of a great movie, although a little forgotten, I should see it again. 🙂
Thank you, my friend 😊