Tag Archive | John Frankenheimer

Mr. Telly Savalas, Back to the Limelight…, Please!

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Part I

Life with many beginnings and endings is a progression of cycles. Just like the years before, the New Year arrived in the cyclical order – ushering in the divisions of days, weeks, months, various seasons, in conjunction with personal social relationship events such as the dates of birthdays, weddings, anniversaries, etc. Within the past three weeks of January in the present calendar, there were few birthdays (including mine on 18th) and anniversaries of people I have had the privilege of knowing – and also a reminder of more to come as the year progresses – a good number of which must be reinforced by remembrance.

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Those with nostalgic longing for movies of the second half of the 20th century would not have to jog their memory much to remember the late Telly Savalas, the Film/Television actor, TV show host and Singer. Telly shared his birth and death in January – on consecutive days of 21st and 22nd. In many of us, the image of Telly Savalas was moulded not only from the characters he portrayed in a string of movies or from his presentations in Television, or the music albums but also from the wide attention he generated to himself by display of his images in a wide range of American-International magazines.

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Of those movies featuring him in a succession of devious characters, one could easily think of the box-office hit, The Dirty Dozen (D: Robert Aldrich, 1967) which presented Telly as a convict and brutal rapist; he was an earthy renegade killer whose frumpy mistress (Shelley Winters) described him as having “as much feelin’s as a bald-headed hog” in The Scalphunters (D: Sydney Pollack, 1968); a black marketer in Battle of the Bulge (D: Ken Annakin, 1965); a no-good army sergeant in Mackenna’s Gold (D: J. Lee Thompson, 1969), a sadistic bandit leader in A Town Called Hell (D: Robert Parrish, 1971); a crooked narcotics agent in Clay Pigeon (D: Tom Stern, 1971); the cold-blooded assassin in L’assassino… è al telefono (D: Alberto De Martino, 1972)….. and so the list goes on until he came across his alter ago Kojak.

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Like the bald headed Hollywood actor Yul Brynner, it is difficult to fully fathom the real story of Telly Savalas since he told a different story in every other interview – a phenomenon I had noticed while researching for this article.

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Aristoteles Savalas (a) was born in Garden City, New York, on January 21, 1922 (b). He was the second son of artist Christina Kapsalis (a former Miss Greece beauty queen from the Greek village of Anogia) and to Nicholas Constantine Savalas (originally spelled Tsavalas – hailing from the village of Gerakas), who made a fortune in tobacco, lost the lot and made another fortune in the bakery business. As teenagers, both his parents had emigrated to America in the early 1900s.

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The second of five children (three brothers: Constantine Socrates, George Demosthenes, Theodore Praxiteles and sister: Katherine), in his earlier days, Aristoteles who spoke fluent Greek, had to sell newspapers, shine shoes and work as a lifeguard to help support the family. Somewhere along the way, he became regularly known as Telly. Having enrolled in the army in 1941 and following four years of service during the World War II he was discharged duly decorated with a Purple Heart for injuries sustained. How he was wounded in the war is unclear – quite similar to the ambiguity about how his left index finger got slightly mangled.

7With the intention to pursue a career in the diplomatic service, Telly graduated in psychology from Columbia University where he had met Katherine Nicolaides. After his father’s death, Telly married Katherine in 1948 and together they had Christina. Following few years work with the Near East Information Services branch of the U. S State Department as host of the Your Voice of America series, ABC (American Broadcasting Company) News hired him as a producer. Having left ABC in January 1959, he had his first TV acting role in And Bring Home a Baby, of Sunday Armstrong Circle Theatre (1950–1963). Burt Lancaster saw his work and drew him to California to appear in episodes of the CBS TV series The Witness (1960-61).

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About the age of 39, Telly had forayed into acting in feature films, debuting with Mad Dog Coll (D: Burt Balaban, 1961) which chronicled the career of the Irish American gangster, Vincent “Mad Dog” Coll. Telly portrayed the role of another Lieutenant in the crime drama film The Young Savages (D: John Frankenheimer, 1961), the first of Burt Lancaster’s four picture deal with United Artists (the other three being Birdman of Alcatraz (1962), The Train (1964) and The Hallelujah Trail (1965)).

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Luck played into his hands when, impressed by his performance in the roles of Al Capone and “Lucky” Luciano in The Witness in which the life and crimes of America’s notorious rogues are investigated at a committee of inquiry; and also in The Young Savages shot in New York, Lancaster provided him the important role of the solitary row prisoner Feto Gomez of Leavenworth Prison in the prison biography, Birdman of Alcatraz. This breakthrough role earned Telly an Academy Award nomination as Best Supporting Actor.

Following his divorce from Katherine, in early 1960s when his film roles were mainly villainous, he got married for the second time to Marilyn (Lynn) Gardner.

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When director George Stevens’ cameo-packed dramatization of the life of Jesus Christ, The Greatest Story Ever Told (1965) was announced, many eyebrows were raised at the parade of famous actors in unexpected roles. The casting of Telly as Pontius Pilate drew smiles from those who thought that a Brooklyn accent has no place in a Biblical epic.

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Stevens thought that the 6’1” Telly would look more virile and powerful in the role of the Roman prefect (governor) of Judaea if he shaved his head. Telly found the proposition extremely attractive and decided to go on with life as it was before retaining his signature bald look he took for his role in this Bible epic. Whyever not?

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He simply chose to shave his head for the look. By the way, men generally don’t grow beards because they dislike shaving – but because they think their whiskers make them look better and give them a distinctive image.

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He is on record in an interview as saying about the time Telly told his mother Christina vis-à-vis his casting in The Greatest Story Ever Told. She had rounded things off with the remark: “You are joking!” and she continued, “You’ll make a Marvellous Jesus!” She must hold the world record for being the world’s most optimistic mother.

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Telly had a memorable role as James Bond’s notorious arch-rival Ernest Stavro Blofeld in On Her Majesty’s Secret Service (D: Peter Hunt, 1969) in which stuntman Joe Powell nearly got killed doubling him in the bobsleigh in Switzerland. Two of his co-stars of The Greatest Story Ever Told, Donald Pleasance and Max von Sydow also played Blofeld in You Only Live Twice (D: Lewis Gilbert, 1967) and in Never Say Never Again (D: Irvin Kershner, 1983).

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Of his bald head, he once said that “everyone’s born bald.” In spite that Telly was typecast as a villain for being entirely bald, audiences took him to their hearts – believing that in the baddie they saw onscreen rested a sweet nature. His strong features and ethnic look came handy for the role of Shan in Genghis Khan (D: Henry Levin, 1965).

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The success of that film gave his career further fillip earning him roles in Buona Sera, Mrs. Campbell (D: Melvin Frank, 1968), The Assassination Bureau (D: Basil Dearden, 1969), Kelly’s Heroes (D: Brian G. Hutton, 1970); Pretty Maids All in a Row (D: Roger Vadim, 1971), etc.  For the title role of Pancho Villa (1972), the bald look was vindicated by the shaving of his head in prison during the opening sequence.

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Since 1974, after a long separation Telly and Marilyn were divorced. According to the mini documentary “Telly Savalas: The Golden Greek”, he had met the beautiful Sally Adams while working on the movie, On Her Majesty’s Secret Service  (c). In 1973, Cojack with ‘c” hit the TV screens and his luck seems to improve.

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Although the bald-headed, deep, gravel-voiced Telly had been acting since the late 1950s, real popularity came looking for him in the title role of the famous CBS TV series Kojak (October, 1973-April, 1978) which was a spun-off from the made-for-TV pilot, The Marcus-Nelson Murders (D: Joseph Sargent, First American Broadcast: March 8, 1973).

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Few initial instalments showed him wade through a stereo-typed routine of law-and-order claptrap. But soon Kojak became a prime program as the series turned tough and reasonably true – taking on the look, sound, feel, taste, and smell of the New York crime investigations.

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Working out of a Precinct of Manhattan, Telly’s Lieutenant Theo Kojak, in fabulous three-piece suit, displayed a more credible human being. Much of the vicious power and toughness Telly had displayed in his earlier villainous roles were there. But the exception was that, in his new persona as the stubborn and tenacious good guy Kojak with a deep concern for people and justice, his wrath was targeted against the crooks, spooks and killers. Audiences related to Kojak’s passionate belief in equality and fairness and his vehement opposition to police bureaucracy. Well, you know the rest.

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While Telly reigned supreme in the role of the chrome-domed streetwise cop’s cop with a sweet tooth for sucking lollipops and a penchant to wisecrack snazzy lines, Telly soon became indelibly identified with the character of Kojak. “Telly and Kojak are one and the same,” Telly said in a TV interview, drawing a parallel between him and Kojak.

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His love for the suckers, I mean, his serious attitude towards the lollipops, reportedly to replace Telly’s addiction for long thin cigars, was initially featured in Episode eight “Dark Sunday” of Kojak in December 1973. This addiction for suckers could have its origins in Toledo, Spain and to Italian director Mario Bava, the father of Italian horror films.

This concludes Part I.  Part II will follow. Jo

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Notes:

  1. The spelling of first name is based on Certificate of Death: 39419004248 dt.22-1-1994 shown in a website although the name on his tombstone differs;
  2. The date is based on his death Certificate;
  3. Some sources maintain that Telly met Sally while working on the movie, The Dirty Dozen.
  4. This article owes its source to various newspapers, books, magazines, visual media, etc.
  5. Films forming part of the collection of Manningtree Archive are highlighted in bold.
  6. Most of the movies and books referred to in this article are available with amazon.com, amazon.co.uk and other leading dealers.
  7. DVD sleeves credits: amazon.com, en.wikipedia, imdb and from my private collection.
  8. This illustrated article is an affectionate nosegay to the movies and performers of the past. Please refer to “About” of my webpage for more details.

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(©Joseph Sébastine/Manningtree Archive)

StarChoice 23: MRS. ‘ARRIS GOES TO PARIS

a1 a2The day was wet and windy when we learned that an unexpected restriction was rightly slapped on visitors’ entry to the top of Gustave Eiffel’s Tower, the emblem of Paris. For Bianca, a first-time visitor to Paris at that time, the spectacular view from the third inner platform at 276m had to be compensated with a panoramic view from the second inner platform (115m) of the Eiffel Tower which was overcrowded with visitors despite the chilly wind. The night before from the window of our hotel rooms, we had seen the tower fizzes with champagne sparkle (336 600-W projector sodium lamps and 20,000 bulbs for the Sparkling Tower) periodically from sundown to the early hour while the old moon gleamed over it. Why does Paris hold a special place in many hearts? Most visually recognisable in Europe, the city’s beauty is undeniable. From where my wife Carina, Bianca and I stood on the second platform, not in the very distance was the Arc de Triomphe. Our eyes shifted from the Arc and trailed over the tree-lined straight boulevard of the Avenue des Champs-Élysées with its lovely sense of space now obstructed from view by the masses of buildings, to Le Grand Palais with its iron and glass domes. a3 a5Scanning past the city’s oldest monument, Obélisque de Luxor in the vast Place de la Concorde; and the splendid Jardin des Tuileries, we can’t miss architect I M Pei’s pyramid and that honourable house of La Gioconda, Le Musée du Louvre, where I have spent many many days over many years discovering the magnificent genius of our gifted ancestors, each object d’art systematically displayed for global citizens. Further to our right on the eastern half of the natural island, Île de la Cité in the Seine, loomed the 90m Gothic spire of Cathédrale Notre Dame de Paris, beyond which is Gare de Paris-Bercy from where we would catch the night train to Milan four days later. Gazing at the distance to the left, our eyes fell on the dome of that neo-Romanesque-Byzantine edifice, Sacré-Cœur (Sacred Heart) Basilica on the Montmartre (Mount of Martyrs) hill where we had chosen our hotel for this time to explore the life in Montmartre. Each arrondissement of this legendary metropolis is self-contained for necessities, its treasures, and its secrets. All life is here – in Paris. a6 a4Bianca, our eldest daughter, with her imminent degree in Fashion Design on her mind, had her thinking caps on for ideas and inspirations of the French fashion: Chanel, Dior, Vuitton, Yves Saint Laurent,… – all the more reason, this is the age where luxury fashion endeavours to be more accessible to the public. Her eyes were now busy trying to locate the Christian Dior Couture building on Avenue Montaigne which she finally found straight ahead of us, few blocks up the Pont de l’Alma Tunnel where Princess Diana with two others was killed in a car crash on the night of 31 August, 1997. Well, Dior would be our next destination for the day, the first of the haute-couture houses she intended to trail to “catch the fresh French fashion touch.” True to the word: Fashion is followed! a7

Mrs. ‘Arris Goes to Paris   (1992)

Interestingly, renowned American novelist Paul Gallico (Paul William Gallico – July 26, 1897 – July 15, 1976) in his beautiful short novel, Mrs. Harris Goes to Paris, published in 1958, tells the story about a widowed English working class woman’s visit to Paris to buy a beautiful dress. This book forms part of the four “Mrs. Harris” books Gallico wrote, viz., Mrs. Harris Goes to New York (1959), Mrs. Harris Goes to Parliament (1965, aka: Mrs Harris, M. P), and Mrs. Harris Goes to Moscow (1974). Adapted as a TV play with some alterations by John Hawkesworth, “Mrs. ‘Arris Goes to Paris” was filmed on locations in London, Paris and Budapest. a8 Synopsis: It was the London of 1953. Our protagonist, Mrs. Ada Harris, the charwoman somewhere in her late 50s or early 60s, led a regular-as-clockwork life in Battersea cleaning homes of well-to-dos living in and on the fringes of fashionable Eaton Square and Belgravia – 10 hours a day – 5 ½ days a Week. One morning after she had reported for work at the luxurious home of Lord and Lady Dent, one of her rich clients, Ada was sent to her Ladyship’s bedroom to collect some letters. There, Ada saw an invitation to Lord and Lady Dent to attend Her Majesty’s Coronation Ball at Buckingham Palace on Friday, 5th June 1953. It was then she saw two lovely gowns hanging by the wardrobe – one red and the other in pale blue. Ada had never seen anything so beautiful in her whole life. a9 When Lady Dent found Ada admiring her pale blue gown, she informed Ada that they are from Dior in Paris and the pale blue gown cost a pricey 450 guineas, an astronomical sum in 1953. Lady Dent plans to wear one of the gowns to the Coronation Ball. When Ada was given the chance to select one of the gowns for Lady Dent to wear for the Ball, the blue gown was Ada’s choice since she thought that the pale blue was the best for the Palace. Besides, they say Her Majesty liked pale colours. Lady Dent was apparently impressed by Ada’s selection. a10 In next to no time, Ada was besotted by the desire to own a similar Dior gown, but the cost, of course, was beyond her financial capacity. Having played in the weekly football Pool, Ada won 174 pounds 6 shillings and 4 pence – not much – but it was a good start for her to edge closer to owning a Dior dress. Mrs. Butterfield, her Cockney neighbour and close friend in the same profession was taken aback by Ada’s new interest in getting dressed up. She was all questions: from where will Ada find that kind of money with her low salary? Where will Ada wear the gown after all? Play dress-up in the attic? Ada had her reasons: they may only be charwomen – but they certainly can have their dreams – there is no law against that. As with everything in life, money buys quality. She would work hard enough. She is going to get a Dior gown. Seriously! a11 As a Chinese proverb goes, “To get through the hardest journey we need take only one step at a time, but we must keep on stepping”. She “scrimped and saved and slaved” with unwavering determination for three long years until she possessed just sufficient money to see her through her travel to Paris and return, plus the cost to acquire the gown. Perfect! a12 The year would be about 1956 by now when Ada, upon arrival in Paris, was confronted by the reality that obtaining an original couture creation from Christian Dior’s Salon is a challenging task. Then again, at the House of Christian Dior in the Avenue Montaigne, she was lucky enough to have met Mme Colbert, the Chief Vendeuse of Dior who was at that time in the middle of organising a Collection to be shown to a selected audience that afternoon where the guest of honour will be Her Royal Highness Princess Margaret, famed for her love for Christian Dior’s creations in the 1950s. a13 a14 As it turned out, with Mme Colbert’s help, Ada ended up sitting in the front row of the show next to a Ministre, Marquis Hippolite, who would soon become fascinated by her charming personality. a15 In a little while, as the Dior show proceeded with the display of magnificent haute couture creations, a young model named Natasha appeared dressed in a most gorgeous dress no: 89 “Temptation” which was the dream of Mrs. Ada Harris. Overwhelmed with admiration for that soft-pink gown, Ada’s incessant clapping was disdainfully stared at by the room full of high-society women in their aura of riches, getting their fashion fix here. a16 Following the show, Mme Colbert was delighted to accept Mrs. Harris’ booking for the gown “Temptation” at the cost of 437,000 francs (£450). Arrangements were swiftly made with the head dressmaker, Monsieur Marcel and his assistant Mme. Claudine who agreed they would spin into overdrive to get her dress done within a week. a17 Accommodation was arranged quickly for Ada’s one-week stay in Paris. However, to get Ada measured and fitted, it was found necessary to evade an antagonist in the form of the pompous director of the House of Dior, Monsieur Armont, who appeared to be an expert in brewing up anxiety in the salon. Mrs. Harris had never thought of that possibility. a18 And so, Ada slips under the protective umbrella of the triad: Mme Colbert, M Marcel and Mme Claudine. Keep the fingers crossed – everything comes to the one who waits. a19 Ada’s forced and unforeseen stay in Paris was not in vain. By the time the week has come to a full circle, she had sown the magical seeds of sure-fire success all around her: to put a bachelor’s house tidier; to bring together two lovers; mend the stormy time between the Marquis, his daughter Mme Louise and granddaughter Claire; and arranged a much needed letter for Mme Colbert from Le General de Gaulle conferring the Order of Croix de Guerre with palm  posthumously on her husband M Michelle Colbert, a member of La Résistance Française who was shot dead 12 years ago during the German occupation of France. a20 As luck would have it, not only M Michelle’s name will be inscribed in the book of the Heroes of the Resistance, but Mme Colbert will also be given the Médaille de la Résistance from the General himself. Wonderful! a21 In spite of this, M Armont still persisted on her neck. However, as in all stories trailing the legend of Cinderella, Ada Harris’ had her saving grace in a friendship to help her through her hurdles and finally finger-point M Armont as the bad leaf on the lettuce. Friendship isn’t a big thing – it is a million little things. a22 Mrs. ‘Arris Goes to Paris is a Canada-United Kingdom-Hungary co-production, and filmed with the production assistance of Air France and Christian Dior. It was produced by Susan Cavan and Andras Hamori and directed by Anthony Shaw (the first son of Angela Lansbury and Peter Shaw). a23 The ensemble of crew consists of: Stanley Myers (music); Laszlo George (Director of Photography); Sidney Wolinsky (Film Editing); Roger Murray-Leach (Production Design); Jane Robinson (Costume Design); Tamas Hornyanszky (Art Director), Virginia Gallico (Creative Consultant), etc. a24 One of the seasoned pros of the past, the performance of British actress Angela Lansbury, CBE (born on 16 October, 1925 in London) as Mrs. Ada Harris, a honest, working-class widow without children, is heart-warming. Out on a long-distance adventure, Angela’s Ada is a delight to watch as she braves the hurdles on the Parisian scenery. a25 Daughter of Irish stage/screen actress Moyna MacGill, and granddaughter of George Lansbury, the British Labour Party leader, the Strawberry blonde Angela had her screen debut in the role of the sly maid in Gaslight (D: George Cukor, 1944) which earned her nomination for Academy Award for best Supporting actress. MGM soon regarded her as a rising young star. Although she had to content with supporting roles owing that she was considered not pretty enough to be a leading lady, film after film she lured the limelight away from the top-billed stars of her movies. a26 Early in her career, she appeared in the post-war colour remake of the costume drama The Three Musketeers (D: George Sidney, 1948) in which Angela portrayed the role of Queen Ann. Next, I saw her in the biblical tale Samson and Delilah (D: Cecil B. DeMille, 1949) as the Philistine Semadar who was romanced by Victor Mature’s young Danite Samson. a27 a28She favoured her appearance in a string of movies: The Red Danube (D: George Sidney, 1949), The Purple Mask (D: Bruce Humberstone, 1955), All Fall Down (D: John Frankenheimer, 1961), The Manchurian Candidate (D: John Frankenheimer, 1962), Harlow (D: Gordon Douglas, 1965), etc. Success in movies drove her further to establish careers on stage and in television shows. She appeared in the long-run stage musical hit Mame (Jerry Herman); in TV productions including Murder, She Wrote, launched in 1984; in the musical Sweeney Todd (D: Stephen Sondheim); in Barry Sandler’s adaptation of Agatha Christie’s Miss Marple mystery The Mirror Crack’d (D: Guy Hamilton, 1980), etc. It is Angela’s sweet singing voice that we hear when the housekeeper Mrs. Potts sings in Beauty and the Beast (D: Garry Trounsdale & Kirk Wise, 1991) in the scene where the Beast romances Belle with dinner and a dance. a29 a30Egyptian actor Omar Sharif (born Michael Shalhoub) was already a Romantic/sex symbol of the Egyptian cinema before he rose to international stardom with his role as the fierce tribesman in Lawrence of Arabia (D: David Lean, 1962). While Mrs. ‘Arris Goes to Paris was preparing for production, Sharif was already working in Continental Europe acting in two films by French director Henri Verneuil: Mayrig (1991, and later, a TV play in 1993), 588 Rue Paradis (1992), and in Italian director Duccio Tessari’s Beyond Justice (1992). Omar Sharif was contracted as a guest star to portray the wealthy and charming Ministre, Le Marquis Hippolite de Chassagne. Sharif’s physical presence gave character of Marquis more than the film could have acquired from the script alone. a31 a32Diana Rigg (born Enid Diana Elizabeth Rigg in Doncaster, England) is the Tracy (Contessa Teresa di Vicenzo) of On Her Majesty’s Secret Service (Peter Hunt, 1969), the only woman 007 James Bond married. Dame Diana had already established her reputation in Shakespeare plays before international fame came her way for her role as the secret agent Emma Peel in the TV series The Avengers (1961–1969). The performance of Diana Rigg was first-rate as the brainy and fair Mme Colbert who tries to assert her authority as the in-charge of the sales in the House of Dior, and lock horns with M Armont who threw his weight around and refused to let Mrs. Harris, a commoner, have the gown. a33 a34 Montréal, Québec, Canada actor Lothaire Bluteau (Jesus of Montreal, 1989) is the dignified André Fauvel, the Dior accountant who was shy to reveal his fancy for model Natasha but thought that she deserved better than a “pen-pusher” like him. a35 A talented British actor, whenever John Savident (A Clockwork Orange, 1971) appears as the assertive and aggressive M Armont, it is like watching a snake come out of a basket. a36 Lila Kaye (An American Werewolf in London, 1981) acts as Mrs. Butterfield with the cockney dialect matching Mrs. Harris’, which is at its most distinctive during their journey to their workplaces by the doubledecker London bus no: 19 to Victoria. a37 a38 In her screen debut role, Winnipeg Manitoba, Canada-born Tamara Gorski (Murder at 1600, 1997) is exquisite as the small, fair-haired young Dior model Natasha Petitpierre, truly blessed with the loveliest of natures and the sweetest smile in that part of Paris. a39 Also on the supporting cast are: William Armstrong (M. Marcel), Barbara Barnes (Mme. Claudine), Tamsin Olivier (Mme. Louise), Trudy Weiss, Jenö Pataky, Jason Carter, Alex Knight, György Emõd, Mel Martin, Toby Whithouse, David Sterne, Anna Safranek, Ottó Szokolay, Tibor Medveczky, Kieron Jecchinis, Fruzsina Radnai, amongst others. a40 The film rightly features the period-details of the fairy-tale storyline: the white horse-driven van of Lambs Farm Dairy delivering milk in silver-topped bottles; the street-cleaner with his pulling cart; the old Harrods delivery van; the style of dressing, etc. a41 a42 Complemented by the melodious music of Stanley Myers, Mrs. ‘Arris Goes to Paris, with competent cast of actors and some interesting plot twists, is a nice and gentle family film,  that lifts our hearts with a positive assurance that things can turn up right if you set your mind to it. Watch it if you can – there is nothing wrong in having a little fantasy now and then to lift the spirits. Jo. a43 Notes: 1.. This illustrated article is an affectionate nosegay to the movie reviewed above. Please refer to “About” of my webpage for more details. 2.. The DVDs of the movies referred above are available with main dealers such as amazon.com, TCM Shop, etc. 3.. The novel “Mrs. Harris Goes to Paris” (original UK title: Flowers for Mrs. Harris) by Paul Gallico is available with leading book dealers. a44

(©Joseph Sébastine/Manningtree Archive)

StarChoice 22: THE TAMARIND SEED

THE TAMARIND SEED  (1974)

1 2While in Bangkok recently, I once hopped over to the enormous Saphan Khao Fruit Market, mainly to take some photographs of the Dragon Fruit (Gao Mung Gorn) and other exotic and unfamiliar fruits you will come across in Bangkok. Now Saphan Khao Market is a fruit lovers’ paradise where most fruit-lovers can come across their requirements. Having feasted on a delicious breakfast with cheeses, cold meats, small bowl of salads and an assortment of wheat breads, and a hassle-free taxi ride from our hotel in the infamous morning traffic of Bangkok, we were not in a hurry to leave this market.   Amongst the huge crowd of customers on that day was a group of tourists from Singapore tasting and buying a fruit called “Makham wan” (Scientific name: Tamarindus indica), a sweeter variety of tamarind available in Thailand which is generally eaten fresh after peeling, while it can also be boiled in water to make a refreshing fruit drink. Native to tropical Africa and widely grown in India, the long, bean-like pods containing sweet and sour pulp of the tamarind fruit and shiny Spanish mahogany-coloured seeds is not alien to us as it forms part of the culinary usage in this part of the world just as in Latin American countries. 3 Next to the Singaporeans savouring the tamarind fruit (Puli, in Malayalam), I could see a tall plastic container with holes around its lower rim, positioned by the drainage to the side of the stall, where customers could discard the tamarind seeds and pod shells and its strings. Those holes acted as lower outlets for the dirty water to flow out when the water tap above the container is occasionally opened to cleanse the contents in it. Considering the numerous nutritional and health benefits of these seeds and pods, they were eventually collected and transported elsewhere for processing. The seeds are also a popular snack amongst the rural population as an emergency appetizer. Due to its medicinal qualities, they are roasted, soaked and eaten whole to expel intestinal parasites or added with other ingredients to make substitute for coffee. I was told that the extract of the seeds is also used in eye drops for dry eyes while these seeds are also powdered and used as starch in the textile industry. 4 At that moment, I was reminded of a curious legend told in the 1974 Blake Edwards’ film “The Tamarind Seed” in which the seeds play a pivotal role in the culmination of the love affair between the characters played by Julie Andrews and Omar “Cairo Fred” Sharif. As the legend of The Tamarind Seed goes: “A slave on Hayward’s plantation, St. Peter, accused of stealing a sheep, was hanged from a Tamarind tree. He protested his innocence, saying that the tree would vindicate him. Since then the Tamarind tree has born a seed in the shape of a man’s head.” 5 Although we longed to see that film once again, our copy was in our library in India. I stored the thought away for fulfilment at a later date. That later date turned up only after I learned of the sad demise of its male star in the central role. 6 Blake Edwards (born William Blake Crump), as we know was originally a writer and actor before he turned director of movies under the titles: Breakfast at Tiffany’s (1961); Days of Wine and Roses (1962); What Did You Do in the War, Daddy? (1966); 10 (1979), S.O.B. (1981); Victor Victoria (1982); The Pink Panther series; etc. 7 8He is also the director of Darling Lili and The Tamarind Seed, which was the second of seven films made with Julie Andrews (born Julia Elizabeth Wells) by Blake Edwards since his marriage to her in November, 1969.   The first film, Darling Lili (1970) featured Andrews as a World War I spy against the English posing as a London music hall performer who turns a dance performance into a striptease. The film failed to generate audience interest at its release but the role of Lili Smith transformed Julie Andrews as sexy from the sweetened screen image she earned from the title role (her film debut) in Mary Poppins (1964, D: Robert Stevenson). 9 The second film, The Tamarind Seed was based on the 1971 book by Evelyn Anthony, faithfully adopted for the screen by Blake Edwards, effecting modifications on the geographical details of the romantic storyline from Washington, D.C/New York to Paris/London and supplementing with scenes such as the action sequence at the London Heathrow Airport. The Tamarind Seed featured a contemporary love story with spy elements of the Cold War. 10 Now in this review of The Tamarind Seed, we are talking here about a time when KGB, Lubyanka prison, Iron Curtain were constant reminders of dread. The attractive British widow of the movie, Judith Farrow (Julie Andrews) whose husband had died in a car crash, is on holiday in Barbados to find herself after failure of a six-month affair with a married British group-Captain Richard Paterson. 11 The small hilly island of Barbados, shaped like a loin pork chop, with its large sugar cane plantations, elegant resorts, hotels, many miles of silky white beaches, and, of course, sun, has been the most favoured travel destination for sun-seekers for several centuries. Here, by sheer coincidence, Judith is strangely drawn to a tall, dark, ‘very kind, knowledgeable and generous man” called Feodor Sverdlov (Omar Sharif) staying in a neighbouring villa, here on vacation “to get away from people”. 12 No sooner their friendship became known in official channels, their activities were closely monitored. What on earth is she doing with a Russian spy? From Judith, Feodor learned that she is a personal assistant to a man called Sam Neilson of the Home Office in London. Feodor let her know that he is employed as a military attaché at the Soviet embassy in Paris. During the time they have been seeing each other, they had developed simple, satisfying routines: two dinners, an early morning swim, a dinner at the Colony Club and sparkling conversations. While on a visit to the Bridgetown museum, they came across “The Legend of the Tamarind Seed” and a seed in the shape of a man’s head. Impressed by the legend, she wished she would find such a tamarind seed. 13 Ever since they met, Feodor had been full of life, energy, and mischief and let her know of his desire for her. Although she found him affectionate and harmless, she was always thinking defensively. All the same, she told him about her failed affair with Captain Paterson, a mistake she admitted to Feodor later. Feodor too was not far behind in telling her about his unhappy marriage to a woman back home, who is a very good judge of everything and knows exactly what is right and what is not right. He didn’t find it a great mistake in letting her know that he did not feel anything for the socialist revolution anymore. The following day, as Judith wanted, they went looking for the tamarind tree at Hayward’s plantation. 14 Later, en route to London, Judith’s flight was over the Atlantic Ocean when she found a tamarind seed, in the shape of a human head, in an envelope given to her by Feodor when he bid goodbye at the hotel. She was happy so now had her tamarind seed. 15 In Paris, Judith was interrogated by Jack Loder (Anthony Quayle), the British Intelligence officer located at the Paris embassy, which Judith found irritating, but felt helpless. 16 Her friendship with Feodor has put her in a cloud of suspicion and she is considered a security risk. Questions were raised at her. Was their meeting really accidental? Why did this man choose Judith out of the whole island? Was Feodor trying to recruit Judith as spy? The way Judith was, she would be a brilliant gift to them. Anyhow, Loder would take the issue in stride and directed her to inform him of any specific developments. Jack Loder had other worries, too. He worked in a world of political loyalty, betrayal, murder and professionalism. He had discovered that an unknown Soviet spy under the code name “Blue” existed within the British government. 17 Arriving back in his Paris office, Feodor spoke of his friendship at Barbados with his Russian boss, General Golitsyn (Oscar Homolka). The General, who listened with perceptible interest, was led to believe that the woman in question has a very confidential job at the Home Office in London and could be very useful. Feodor also suggested that he could recruit Judith. In fact, Feodor secretly believed that this ploy would enable him to meet Judith again, the inspiration and object of his love, and he can continue with the affair blossomed at Barbados. 18 In time Judith met up with Feodor for a dinner and let him know about Loder’s interrogation. Feodor advised her to “try to tell the truth as long as possible, that way when time has changed and you have to lie, there is a great chance that you will be believed.” Although in the beginning Judith was wary of starting a new relationship, things are different now. Later, based on warning from Judith, Feodor decided against returning to Russia but elected to seek political asylum in Canada with the help of Captain Paterson and Jack Loder. Feodor will not go empty handed to Canada. In exchange to set up home there with the usual guarantees, Feodor will be a very worthy acquisition to Britain. His offer to the British would be magnificent: the identity of the unknown British traitor “Blue”. For that prize, he knew Loder would plan everything for Feodor down to a “T”. 19 Subsequently, Feodor stole an ultra-secret file from the Soviet embassy for the British intelligence – an action which would set off the bulls and bears of the good old days of the Cold War lashing out dangerous repercussions in the lives of Judith and Feodor. 20 As the character of actor Donald Sutherland spoke in the 2003 version of the movie, The Italian Job: ‘There are two kinds of thieves in this world: the ones who steal to enrich their lives, and the ones who steal to define their lives.’ Well, Feodor’s reason is obvious. 21 Produced by Ken Wales with music by John Barry, the American-Britsh romantic drama, rated PG, has an impressive line-up of crew: Ernest Walter (Editor – The Shoes of the Fisherman (1968)); Harry Pottle (Art Direction – You Only Live Twice (1967)); Maurice Binder (Main title designer – earlier James Bond movies); John Briggs (wardrobe supervisor – Isadora (1968)) and Academy Award-winning cameraman Freddie Young (Doctor Zhivago/Lawrence of Arabia). Young had worked in Barbados earlier for the 1957 film Island in the Sun (Dir: Robert Rossen) 22 British-born Julie Andrews in the role of the British Home Office functionary has the role tailor-cut for her. Julie is always worth looking although in this movie she does not wholly delve beneath the surface of her character. Julie Andrews’ clothes in this film are by Christian Dior and co-ordinated by Emma Porteus. 23 With his dark Egyptian features and smouldering eyes, Omar Sharif (born Michel Demetri Shalhoub) as the Russian spy lover displays a masterly flair in liveliness and chivalry, and, of course, very persisting with his wanting for Judith ever since he met her. Sharif was a very popular heart-throb during this period with a string of romances and a steady row of films prior to The Tamarind Seed: The Last Valley (Dir: James Clavell), The Horsemen (Dir: John Frankenheimer) and The Burglers  (Le casse, Dir: Henri Verneuil). 24 In 1973 when he appeared as Le capitaine Nemo in six episodes of the TV-Mini-Series L’île mystérieuse, he had purchased a huge mansion on the Spanish island of Lanzarote (in the Canary islands off the coast of West Africa), calling it Casa Omar Sharif. In May, 1973, The Tamarind Seed started initial filming at locations at Barbados’ west and east coasts before the unit shifted to London for further filming. Meanwhile, in early June, Omar Sharif won The Ladbroke World Master Bridge Championship, when he beat the former champion Latvia-born Boris Schapiro in London. 25 Under Blake Edward’s intelligent and sophisticated direction, the film also features an impressive line-up of supporting cast: Anthony Quayle; Oscar Homolka (Final film); Irish actor Daniel O’Herlihy (Fergus Stephenson, the British minister in Paris); David Baron (Richard Paterson); Celia Bannerman (Rachel Paterson); Bryan Marshall (George MacLeod); live up to the roles of their characters. Also in the supporting role is English actress Sylvia Syms (Sylvia May Laura Syms OBE) as the unhappy diplomatic wife Margaret Stephenson with desire for unholy carnal pleasures and an energizing passion for dominance. Syms, who would act as Queen Elizabeth the Queen Mother in The Queen (2006, Dir: Stephen Frears), earned a BAFTA nomination for The Tamarind Seed. 26 Other members of cast: Roger Dann (Colonel Moreau); Sharon Duce (Sandy Mitchell); George Mikell (Major Stukalov); Kate O’Mara (Anna Skriabina); Constantin de Goguel (Dimitri Memenov); Alexei Jawdokimov (Igor Kalinin); Janet Henfrey (Embassy Section Head); John Sullivan (1st KGB Agent); Terence Plummer (2nd KGB Agent); Leslie Crawford (3rd KGB Agent). The film is also known under the titles: La semilla del tamarindo (Spain); Il seme del tamarindo (Italy); A Semente de Tamarindo (Portugal); Die Frucht des Tropenbaumes (West Germany); Sementes de Tamarindo (Brazil). The Soundtracks are: a) “Play It Again” sung by Wilma Reading (uncredited) – Music (John Barry), Lyrics (Don Black) and b) “Man with a Monkey” Music (Sam Fonteyn). 27 The Tamarind Seed was filmed through facilities of Samuelson Film Service Ltd, London. Besides locations at Eaton Square, Belgravia, I remember having read somewhere that more location shooting was facilitated at the London Zoo, at scriptwriter George Axelrod’s house in Mayfair district and at a Jazz Club. In Paris apart from Champs-Élysées, and other streets, locations included France-Amériques, Orly Airport, etc. 28 The film never fully explores the attractions of Barbados which retains its Old World charm which is British. On a historical note, this is the place where George Washington brought his brother, Lawrence, in 1751 to recuperate from tuberculosis (now known as the George Washington House) – the only land outside North America Washington ever set foot. Apart from the scenic beauty of the sandy beaches and the horizon, people lazing under coconut palms, parts of cultivated countryside, and interior of the museum, hotels, etc, the heritage monuments and picturesque sights of the island are not shown – such as the bronze statue of Admiral Lord Nelson (erected on 22 March 1813) at Trafalgar Square (renamed National Heroes Square) in the picturesque capital city of Bridgetown, which is older than the Lord’s statue in London. 29 With a good script, charming performances, haunting score, this is a lovely movie for those who love ingenious espionage thrillers and mature romance – a mellow way to end the day. Jo. 30 Notes: 1.. The DVDs of the movies referred in this article are available with main dealers such as amazon.com, TCM Shop, etc.

2.. This illustrated article is meant for the promotion of this movie. Please refer to “About” of my webpage for more details. 31

3.. The book Judith is reading when she first met Feodor is a hardback edition of Kingsley Amis novel The Riverside Villas Murder, published in 1973 (read elsewhere that this dust jacket was designed by illustrator and children’s author Ian Beck.)

4.. Darling Lili gathered Academy Award nominations for Best Original or Adaptation Score and Best Original Song (Whistling Away the Dark – sung by Julie Andrews) for Henry Mancini (music) and Johnny Mercer (lyrics); and for Best Costume Design for Jack Bear and Donald Brooks.

5.. Evelyn Bridget Patricia Ward-Thomas (pseudonym: Evelyn Anthony, Anthony Evelyn, Eve Stephens) born on July 3, 1928, and convent educated, wrote ten successful romance/historical novels before turning to genres: Mystery/Crime/Suspense. She lives in Essex, England.

6.. Those of you who liked the novel “The Tamarind Seed” may like to check Evelyn Anthony’s “The Defector” for their similarities. Further books by Evelyn Anthony currently in Manningtree Archive:  32 33 34 35 7.. Sharif divorce his wife, Egyptian film and television actress and producer Faten Hamama in 1974, the year this movie was released (Faten Hamama died on January 17, 2015 at the same age Omar Sharif will join his former wife at the grave in less than six months later.)

8.. Julie Andrews is the second Julie to become Sharif’s heroine following Julie Christie of Doctor Zhivago. Julie Newmar was his co-star in Mackenna’s Gold.

9.. The movie’s links to month of July: Author Evelyn Anthony was born on July 3 (1928); Director Blake Edwards born on July 26 (1922); Omar Sharif died on July 10 (2015).

10.. This article is in memory of Omar Sharif – May his soul rest in peace. 36

(© Joseph Sebastine/Manningtree Archive)